Argentine Cinema: From Noir to Neo-Noir examines the phenomenon of
Argentine film noir. Beginning with definitions of film noir and
its international iterations, the book presents a history of the
development of film noir and neo-noir in Argentina (from the 1940s
to the present), as well as a technical, aesthetic, and
socio-historical analysis of such recent Argentine neo-noir films
as The Aura, The Secret in Their Eyes, and The German Doctor. It
considers the question of inscription of such classic noirs as
Double Indemnity and The Third Man and looks forward to future
scholarly work on other Latin American noir and neo-noir films,
especially those produced in Mexico and Brazil.
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