"Early Soviet Cinema: Innovation, Ideology and Propaganda"
examines the aesthetics of Soviet cinema during its "golden age" of
the 1920s, against a background of cultural ferment and the
construction of a new socialist society. Separate chapters are
devoted to the work of Sergei Eisenstein, Lev Kuleshov, Vsevolod
Pudovkin, Dziga Vertov and Alexander Dovzhenko. Other major
directors are also discussed at length. David Gillespie places
primary focus on the text, with analysis concentrating on the
artistic qualities, rather than the political implications, of each
film. The result is not only a discussion of each director's
contribution to the "golden age" and to world cinema but also an
exploration of their own distinctive poetics.
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