This book combines film studies with environmental history and
politics, aiming to establish a cultural criticism informed by
'green' thought. David Ingram argues that Hollywood cinema has
largely perpetuated romantic attitudes to nature and has played an
important ideological role in the'greenwashing' of ecological
discourses. The book accounts for the rise of environmental
concerns in Hollywood cinema and explores the ways in which
attitudes to nature and the environment are constructed in a number
of movies. It is divided into three sections: Wilderness in
Hollywood Cinema, Wild Animals in Hollywood Cinema, and Development
and the Politics of Land Use.
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