Appealing history of the genre that offended critics, moved
millions of units, and thrilled adolescents of all ages. Konow's
debut follows a straightforward thesis: heavy metal maintained
enormous and under-acknowledged worldwide popularity from the 1970s
through approximately 1992, when many factors, particularly the
Seattle "alternative" explosion, consigned most bands to the
cut-out bin. He identifies metal's crucial elements-multi-guitar
power chords, energized vocals, rebellious occult trappings,
elaborate stage productions-and traces their almost accidental
coalescence during the '70s as pioneers like Led Zeppelin, Alice
Cooper, KISS, and Queen toured constantly. By the decade's end,
economic malaise compelled a young generation to hurry into bands,
resulting in the New Wave of British Heavy Metal: Iron Maiden, Def
Leppard, and Judas Priest. In turn, these groups inspired an
explosion in American "underground metal," most prominently
Metallica, while pop-metal acts like Bon Jovi and the infinitely
sleazier (hence authentic-seeming) Guns N' Roses dominated record
sales in the late '80s. A fan first and critic second, Konow
discusses the laughable (W.A.S.P., Motley Crue, Poison) and the
venerable (Black Sabbath, Motorhead, Slayer, AC/DC) with the same
lucid enthusiasm. He attributes metal's commercial dominance to
grassroots fan loyalty, MTV's marketing savvy, and major labels'
deep pockets, which enabled the profligate "hair bands" to consume
huge sums while recording and touring. The ludicrous side of metal,
immortalized in the seminal "mockumentary" This Is Spinal Tap,
emerges in numerous hilarious anecdotes concerning the awesome
egotism of figures like Axl Rose or David Lee Roth and the myopia
of bands like Dokken or Quiet Riot, which expected to remain
popular forever. Konow's discussion of metal's commercial decline
offers shrewd analysis of cultural shifts: MTV and major labels
happily dropped the metal bands once profitability waned, while
embittered musicians blamed fair-weather fans and alternative-rock
"nerds" rather than examining their own sordid histories (herein
documented) of misogyny, thuggishness, substance abuse, and
uninspired recordings. Even non-headbangers may enjoy this engaging
account of an improbable musical watershed. (Kirkus Reviews)
“Bang your head! Metal Health’ll drive you mad!”
— Quiet Riot
Like an episode of VH1’s Behind the Music on steroids, Bang Your Head is an epic history of every band and every performer that has proudly worn the Heavy Metal badge. Whether headbanging is your guilty pleasure or you firmly believe that this much-maligned genre has never received the respect it deserves, Bang Your Head is a must-read that pays homage to a music that’s impossible to ignore, especially when being blasted through a sixteen-inch woofer.
Charting the genesis of early metal with bands like Black Sabbath and Iron Maiden; the rise of metal to the top of the Billboard charts and heavy MTV rotation featuring the likes of Def Leppard and Metallica; hitting its critical peak with bands like Guns N’ Roses; disgrace during the “hair metal” ’80s; and a demise fueled by the explosion of the Seattle grunge scene and the “alternative” revolution, Bang Your Head is as funny as it is informative and proves once and for all that there is more to metal than sin, sex, and spandex.
To write this exhaustive history, David Konow spent three years interviewing the bands, wives, girlfriends, ex-wives, groupies, managers, record company execs, and anyone who was or is a part of the metal scene, including many of the band guys often better known for their escapades and bad behavior than for their musicianship. Nothing is left unsaid in this jaw-dropping, funny, and entertaining chronicle of power ballads, outrageous outfits, big hair, bigger egos, and testosterone-drenched debauchery.
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