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Nation and Race in West End Revue - 1910-1930 (Hardcover, 1st ed. 2021)
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Nation and Race in West End Revue - 1910-1930 (Hardcover, 1st ed. 2021)
Series: Palgrave Studies in British Musical Theatre
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London West End revue constituted a particular response to mounting
social, political, and cultural insecurities over Britain's status
and position at the beginning of the twentieth century.
Insecurities regarding Britain's colonial rule as exemplified in
Ireland and elsewhere, were compounded by growing demands for
social reform across the country - the call for women's
emancipation, the growth of the labour, and the trade union
movements all created a climate of mounting disillusion. Revue
correlated the immediacy of this uncertain world, through a
fragmented vocabulary of performance placing satire, parody, social
commentary, and critique at its core and found popularity in
reflecting and responding to the variations of the new lived
experiences. Multidisciplinary in its creation and realisation,
revue incorporated dance, music, design, theatre, and film
appropriating pre-modern theatre forms, techniques, and styles such
as burlesque, music hall, pantomime, minstrelsy, and pierrot.
Experimenting with narrative and expressions of speech, movement,
design, and sound, revue displayed ambivalent representations that
reflected social and cultural negotiations of previously
essentialised identities in the modern world. Part of a wide and
diverse cultural space at the beginning of the twentieth century it
was acknowledged both by the intellectual avant-garde and the
workers theatre movement not only as a reflexive action, but also
as an evolving dynamic multidisciplinary performance model, which
was highly influential across British culture. Revue displaced the
romanticism of musical comedy by combining a satirical listless
detachment with a defiant sophistication that articulated a fading
British hegemonic sensibility, a cultural expression of a fragile
and changing social and political order.
General
Imprint: |
Springer Nature Switzerland AG
|
Country of origin: |
Switzerland |
Series: |
Palgrave Studies in British Musical Theatre |
Release date: |
August 2021 |
First published: |
2021 |
Authors: |
David Linton
|
Dimensions: |
210 x 148 x 20mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
202 |
Edition: |
1st ed. 2021 |
ISBN-13: |
978-3-03-075208-8 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Theatre, drama >
General
|
LSN: |
3-03-075208-9 |
Barcode: |
9783030752088 |
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