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Future Radio Programming Strategies - Cultivating Listenership in the Digital Age (Paperback, 2nd edition)
Loot Price: R1,278
Discovery Miles 12 780
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Future Radio Programming Strategies - Cultivating Listenership in the Digital Age (Paperback, 2nd edition)
Series: Routledge Communication Series
Expected to ship within 12 - 17 working days
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Fundamental beliefs is what the reader will be exploring here -- a
common understanding of what the radio enterprise should be about:
entertainment and information. A major thrust of this book is to
arrive at a set of fundamental beliefs about the values and
realities of the radio business in regard to entertainment
programming -- a set of beliefs that may or may not be right, true,
or forever, but that might at least provide a basis for developing
programming strategies.
This second edition of "Future Radio Programming Strategies" seeks
to answer the question: "What do listeners really want from radio?"
Some of the answers are derived from "users-and-gratifications"
research in the mass media. Instead of focusing on what mass media
do to people, the users-and-gratifications perspective seeks to
discover what people do with mass media. The functionalist
viewpoint of such research basically says that a medium is best
defined by how people use it. Having looked at some of the audience
research that comes from sources other than the standard ratings
companies, the book then goes on to demonstrate new ways that
formats, production procedures, and announcing styles can meet
audience needs and desires. Although the volume concludes with
several original methods for selecting and presenting airplay music
based on the audience's moods and emotional needs, it does not
insist upon a singular, formulaic approach for constructing or
modifying a music format. Instead, it attempts to involve the
reader in thinking through the process of format development.
Two audio tapes are also available for use with the book. The
tapes contain nearly 3 hours of important, detailed information and
provocative points from the book. Exclusive audio examples include:
* the sense of acoustic space in music;
* hi-fi versus lo-fi listening environments;
* subjective perception of the announcer's distance from the
listener;
* audio editing rates;
* comparison of luxury versus inexpensive car listening
experiences; and
* the components of emotions that are expressed vocally.
The tapes also include new sections about the threats to
traditional radio from specialized digital audio services,
competition for the listener's attention from computer-based media,
and additional proof of how music can be chosen on the basis of
listeners' emotional reactions and mood needs.
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