Film critic David Robinson chronicles the early use of film as
vaudeville sideshow; as sheer spectacle of moving images precluding
any notion of plot development or drama; and as a fledgling
dramatic effort, ranging from prizefights to Passion plays. He also
takes readers to the nickelodeon theaters, and replete with more
than 150 drawings and photographs, shows how the earliest devices
of cinematic prehistory--machines with colorful names like the
Phantascope and the Wheel of Life--led to the technology of
filmmaking we know today.
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