Struggling to create an identity distinct from the European
tradition but lacking an established system of support, early
painting in America received little cultural acceptance in its own
country or abroad. Yet despite the initial indifference with which
it was first met, American art flourished against the odds and
founded the aesthetic consciousness that we equate with American
art today.
In this exhilarating study David Rosand shows how early American
painters transformed themselves from provincial followers of the
established traditions of Europe into some of the most innovative
and influential artists in the world. Moving beyond simple
descriptions of what distinguishes American art from other
movements and forms, "The Invention of Painting in America"
explores not only the status of artists and their personal
relationship to their work but also the larger dialogue between the
artist and society. Rosand looks to the intensely studied portraits
of America's early painters -- especially Copley and Eakins and the
landscapes of Homer and Inness, among others -- each of whom
grappled with conflicting cultural attitudes and different
expressive styles in order to reinvent the art of painting. He
discusses the work of Davis, Gorky, de Kooning, Pollock, Rothko,
and Motherwell and the subjects and themes that engaged them. While
our current understanding of America's place in art is largely
based on the astonishing success of a handful of
mid-twentieth-century painters, Rosand unearths the historical and
artistic conditions that both shaped and inspired the phenomenon of
Abstract Expressionism.
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