The study investigates the cultural production of the visual
iconography of popular pleasure grounds from the eighteenth century
pleasure garden to the contemporary theme park. Deborah Philips
identifies the literary genres, including fairy tale, gothic
horror, Egyptiana and the Western which are common to carnival
sites and traces their historical transition across a range of
media to become familiar icons of popular culture.Though the
bricolage of narratives and imagery found in the contemporary
leisure zone has been read by many as emblematic of postmodern
culture, the author argues that the clash of genres and stories is
less a consequence of postmodern pastiche than it is the result of
a history and popular tradition of conventionalized iconography.
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