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Sounding the Cape - Music, identity and politics in South Africa (Paperback, New)
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Sounding the Cape - Music, identity and politics in South Africa (Paperback, New)
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For several centuries Cape Town has accommodated a great variety of
musical genres which have usually been associated with specific
population groups living in and around the city. Musical styles and
genres produced in Cape Town have therefore been assigned an
“identity” which is first and foremost social. This volume tries to
question the relationship established between musical styles and
genres, and social – in this case pseudo-racial – identities. In
Sounding the Cape, Denis-Constant Martin recomposes and examines
through the theoretical prism of creolisation the history of music
in Cape Town, deploying analytical tools borrowed from the most
recent studies of identity configurations. He demonstrates that
musical creation in the Mother City, and in South Africa, has
always been nurtured by contacts, exchanges and innovations
whatever the efforts made by racist powers to separate and divide
people according to their origin. Musicians interviewed at the dawn
of the 21st century confirm that mixture and blending characterise
all Cape Town’s musics. They also emphasise the importance of a
rhythmic pattern particular to Cape Town, the ghoema beat, whose
origins are obviously mixed. The study of music demonstrates that
the history of Cape Town, and of South Africa as a whole,
undeniably fostered creole societies. Yet, twenty years after the
collapse of apartheid, these societies are still divided along
lines that combine economic factors and “racial” categorisations.
Martin concludes that, were music given a greater importance in
educational and cultural policies, it could contribute to fighting
these divisions and promote the notion of a nation that, in spite
of the violence of racism and apartheid, has managed to invent a
unique common culture.
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