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Politicizing Creative Economy - Activism and a Hunger Called Theater (Hardcover)
Loot Price: R2,596
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Politicizing Creative Economy - Activism and a Hunger Called Theater (Hardcover)
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Scholars increasingly view the arts, creativity, and the creative
economy as engines for regenerating global citizenship, renewing
decayed local economies, and nurturing a new type of all-inclusive
politics. Dia Da Costa delves into these ideas with a critical
ethnography of two activist performance groups in India: the
Communist-affiliated Jana Natya Manch, and Bhutan Theatre, a
community-based group of the indigenous Chhara people. As Da Costa
shows, commodification, heritage, and management discussions
inevitably creep into performance. Yet the ability of performance
to undermine such subtle invasions make street theater a crucial
site for considering what counts as creativity in the cultural
politics of creative economy. Da Costa explores the precarious
lives, livelihoods, and ideologies at the intersection of heritage
projects, planning discourse, and activist performance. By
analyzing the creators, performers, and activists
involved--individuals at the margins of creative economy as well as
society--Da Costa builds a provocative argument. Their creative
economy practices may survive, challenge, and even reinforce the
economies of death, displacement, and divisiveness used by the
urban poor to survive.
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