1911. Found in this work are descriptions of the text and music of
some of the most famous masterpieces. The opera is never more
enjoyed than by a music lover who is incapable of criticism from
lack of musical knowledge: music being first and last an emotional
art; and as our emotions are refined it requires compositions of a
more and more elevated character to appeal to them. The history of
opera should be known and composers classified, just as it is
desirable to know and to classify authors, painters, sculptors and
actors. Contents: Balfe: The Bohemian Girl; Beethoven: Fidelio;
Berlioz: The Damnation of Faust; Bizet: Carmen; DeKoven: Robin
Hood; Flotow: Martha; Humperdinck: Hansel land Gretel; Mascagni:
Cavalleria Rusticana; Meyerbeer: The Prophet; Mozart: The Magic
Flute; Sullivan: Pinafore; Verdi: Rigoletto, Il Trovatore, Aida;
Wagner: The Nibelung Ring, The Mastersingers of Nuremberg,
Lohengrin.
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