This book offers an in-depth study of the poetics of creative
writing as a subject in the dramatically changing context of
practice as research, taking into account the importance of the
subjectivity of the writer as researcher. It explores creative
writing and theory while offering critical antecedents, theoretical
directions and creative interchanges. The book narrows the focus on
psychoanalysis, particularly with regard to Lacan and creative
practice, and demonstrates that creative writing is research in its
own right. The poetics at stake neither denotes the study or the
techniques of poetry, but rather the means by which writers
formulate and discuss attitudes to their work.
General
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