Political and protesting, these poems explore concepts of
modernity, English identity, and historicity. Influenced by the
Russians and Ezra Pound, Davie reinterprets Modernism for a 1940s
world. Obsessed with the tonalities and vernacular of language,
Davie works in the mediums of essay-poem, love lyric, satire,
translation, epistle, eclogue, and other forms.
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