This book is exceptional amongst those that have appeared so far in
this well-established series, in that it is largely written by
those who worked with the composer and assisted him during the
period in which the opera was composed and first put on the stage.
It will thus remain a source of first-hand information on Britten's
final operatic achievement. Donald Mitchell was Britten's publisher
at the time of Death in Venice and his Introduction includes many
personal observations on the genesis of the work. The latter part
of the book contains essays by T. J. Reed and Patrick Carnegy on
the libretto's source in Thomas Mann's novella and Philip Reed
compares briefly Visconti's cinematic interpretation of the
novella. The volume is richly illustrated with music examples,
sketches and extracts from the autograph score, and pictures from
the first production. It will make an essential reference work and
indispensable companion for opera-goers, students and scholars
alike.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Series: |
Cambridge Opera Handbooks |
Release date: |
June 1987 |
First published: |
1987 |
Editors: |
Donald Mitchell
|
Dimensions: |
216 x 140 x 14mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
248 |
ISBN-13: |
978-0-521-31943-0 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
Promotions
|
LSN: |
0-521-31943-9 |
Barcode: |
9780521319430 |
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