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Brain of the Earth’s Body - Art, Museums, and the Phantasms of Modernity (Paperback, New)
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Brain of the Earth’s Body - Art, Museums, and the Phantasms of Modernity (Paperback, New)
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What begins as a meditation on "the museum" by one of the world's
leading art historians becomes, in this book, a far-reaching
critical examination of how art history and museums have guided and
controlled not only the way we look at art but the ways in which we
understand modernity itself. Originally delivered as the 2001 Slade
Lectures in the Fine Arts at Oxford University, the book makes its
deeply complex argument remarkably accessible and powerfully clear.
Concentrating on a period from the beginning of the nineteenth
century to the beginning of the twentieth, Donald Preziosi presents
case studies of major institutions that, he argues, have
defined--and are still defining--the possible limits of
museological and art historical theory and practice. These include
Sir John Soane's Museum in London, preserved in its 1837 state; the
Crystal Palace Exhibition of 1851; and four museums founded by
Europeans in Egypt in the late nineteenth century, which divided up
that country's history into "ethnically marked" aesthetic
hierarchies and genealogies that accorded with Europe's
construction of itself as the present of the world's past, and the
"brain of the earth's body." Through this epistemological and
institutional archaeology, Preziosi unearths the outlines of the
more radical Enlightenment project that academic art history,
professional museology, and art criticism have rendered marginal or
invisible. Finally, he sketches a new theory about art, artifice,
and visual signification in the cracks and around the margins of
the "secular theologisms" of the globalized imperial capital called
modernity. Addressed equally to the theoretical and philosophical
foundations of art history,museology, history, and anthropology,
this book goes to the heart of recent debates about race,
ethnicity, nationality, colonialism, and multiculturalisms--and to
the very foundations of modernity and modern modes of knowledge
production.
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