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Soundscapes from the Americas - Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance (Hardcover, Revised Ed.) Loot Price: R3,884
Discovery Miles 38 840
Soundscapes from the Americas - Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance (Hardcover,...

Soundscapes from the Americas - Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance (Hardcover, Revised Ed.)

Donna A Buchanan

Series: SOAS Studies in Music

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Loot Price R3,884 Discovery Miles 38 840 | Repayment Terms: R364 pm x 12*

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Dedicated to the late Gerard Behague (1937-2005), whose pioneering work in Latin American music, popular culture, and performance studies contributed extensively to ethnomusicological discourse in the 1970s-1990s, this anthology offers comparative perspectives on the evolving legacy of performance ethnography in socio-musical analysis. President of the Society for Ethnomusicology from 1979-81, editor of its journal, Ethnomusicology, from 1974-78, and founder and editor of the trilingual Latin American Music Review from 1980 until his death, Behague also established the ethnomusicology graduate program at the University of Texas at Austin in 1974, thereby influencing the training and thinking of dozens of the field's practitioners. Among these are the volume's eight authors, whose contributions reflect the heritage but also contemporary trajectories of Behague's scholarly concerns. Prefaced by an essay outlining key developments in the ethnography of performance paradigm, the volume's seven case studies portray snapshots of musical life in representative communities of the Americas, including the southwestern and Pacific United States, Puerto Rico, Bolivia, Chile, Cuba, and Ecuador. Situated in milieus ranging from the indigenous festivals of the Andean highlands, to the competitive public gatherings of poet-singers in post-Pinochet Chile, to the Puerto Rican dance halls of the Hawaiian islands, these studies pose anthropological inquiries into the ontology of performance practice, the social power of poetic performativity, and the experience and embodiment of sound in place.

General

Imprint: Routledge
Country of origin: United Kingdom
Series: SOAS Studies in Music
Release date: November 2014
Authors: Donna A Buchanan
Dimensions: 234 x 156 x 20mm (L x W x T)
Format: Hardcover
Pages: 210
Edition: Revised Ed.
ISBN-13: 978-1-4724-1583-7
Categories: Books > Arts & Architecture > Music > Folk music
Books > Music > Folk music
LSN: 1-4724-1583-3
Barcode: 9781472415837

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