A tale of two crimes: the first, an endlessly juicy mystery that
captivated England in the late 18th century; the second, the
tragedy of that fascinating episode being done in by lifeless
prose. History profs Andrew (Univ. of Guelph) and McGowen (Univ. of
Oregon) dredge up a sordid affair that figures in few standard
histories of England, and one that begs to be turned into a film:
two 40-something twin brothers fall under the spell of a skillful
courtesan who enlists them in trying to pass off a forged bond;
caught in the act, the brothers are nearly let off by their
would-be victims but protest their innocence a little too loudly;
enter the constabulary, the judiciary, and the hangman. The tale,
open-and-shut in the eyes of the presiding judge, turns out to be a
bit more complicated: in exploring the case of the brothers Perreau
and the beguiling Mrs. Rudd, the authors call forth conflicting
testimonies, contemporary newspaper accounts marked by a loose
regard for the facts, and the political climate in a time of
colonial revolt and widespread anti-Scottish and anti-Semitic
sentiment, all of which had bearing on the outcome. Andrew and
McGowen are careful researchers, and they do a good job of
elucidating the social history of the time and some of the
Rashomonish qualities of Perreau/Rudd affair. Ultimately, however,
their bloodless exposition overcomes the inherent interest of the
story: "Although newspaper accounts dominated discussion of the
case, they were supplemented by the several versions of events that
appeared in pamphlet form"; "Although publishers expressed a
general commitment to fairness, objectivity, and honesty, the
conditions of publication militated against their realization";
"The actions undertaken to bring Mrs. Rudd to trial struck some as
an abuse of power loaded with disturbing consequences for society."
And so on, until it all becomes such a bitter chore to read that
only the most dogged student of the era will persist to the index.
In the hands of, say, Luc Sante, this tale of the London lowlife
would have been gold. As it is, general readers should hold out for
the movie. (Kirkus Reviews)
"The Perreaus and Mrs. Rudd" tells the remarkable story of a
complex forgery uncovered in London in 1775. Like the trials of
Martin Guerre and O.J. Simpson, the Perreau-Rudd case--filled with
scandal, deceit, and mystery--preoccupied a public hungry for
sensationalism. Peopled with such familiar figures as John Wilkes,
King George III, Lord Mansfield, and James Boswell, this story
reveals the deep anxieties of this period of English capitalism.
The case acts as a prism that reveals the hopes, fears, and
prejudices of that society. Above all, this episode presents a
parable of the 1770s, when London was the center of European
finance and national politics, of fashionable life and tell-all
journalism, of empire achieved and empire lost.
The crime, a hanging offense, came to light with the arrest of
identical twin brothers, Robert and Daniel Perreau, after the
former was detained trying to negotiate a forged bond. At their
arraignment they both accused Daniel's mistress, Margaret Caroline
Rudd, of being responsible for the crime. The brothers' trials
coincided with the first reports of bloodshed in the American
colonies at Lexington and Concord and successfully competed for
space in the newspapers. From March until the following January,
people could talk of little other than the fate of the Perreaus and
the impending trial of Mrs. Rudd. The participants told wildly
different tales and offered strikingly different portraits of
themselves. The press was filled with letters from concerned or
angry correspondents. The public, deeply divided over who was
guilty, was troubled by evidence that suggested not only that fair
might be foul, but that it might not be possible to decide which
was which.
While the decade of the 1770s has most frequently been studied in
relation to imperial concerns and their impact upon the political
institutions of the day, this book draws a different portrait of
the period, making a cause celebre its point of entry. Exhaustively
researched and brilliantly presented, it offers both a vivid
panorama of London and a gauge for tracking the shifting social
currents of the period.
General
Imprint: |
University of California Press
|
Country of origin: |
United States |
Release date: |
October 2001 |
First published: |
2002 |
Authors: |
Donna T. Andrew
• Randall McGowen
|
Dimensions: |
235 x 156 x 28mm (L x W x T) |
Format: |
Hardcover - Cloth over boards
|
Pages: |
358 |
ISBN-13: |
978-0-520-22062-1 |
Categories: |
Books >
Fiction >
True stories >
Crime
|
LSN: |
0-520-22062-5 |
Barcode: |
9780520220621 |
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