Dorothea Link examines singers' voices and casting practices in
late eighteenth-century Italian opera as exemplified in Vienna's
court opera from 1783 to 1791. The investigation into the singers'
voices proceeds on two levels: understanding the performers in
terms of the vocal-dramatic categories employed in opera at the
time; and creating vocal profiles for the principal singers from
the music composed expressly for them. In addition, Link
contextualizes the singers within the company in order to expose
the court opera's casting practices. Authoritative and insightful,
The Italian Opera Singers in Mozart's Vienna offers a singular look
at a musical milieu and a key to addressing the
performance-practice problem of how to cast the Mozart roles today.
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