In this play, Dorothy L. Sayers reworked the legend of Faustus as a
serious 'comedy, ' presenting Faustus as one who chooses wicked
means as an end to an admirable goal: the relief of suffering
(while becoming entirely focused on his own supposed
satisfactions). In the last scene, in the Court of Heaven, Azrael,
angel of the souls of the dead, claims Faustus' soul, opposing
Mephistopheles' claim. With the knowledge of good and evil returned
to him, Faustus finally accepts that his evil must be cleansed,
with Mephistopheles serving as the agent of that purgation. Faustus
accepts his need for cleansing, trusting that the divine
Judge/Court President, will indeed in mercy meet him at the very
gates of hell, finally redeemed.
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