Covering modal music from Gregorian chant through the
seventeenth-century, The Principles and Practice of Modal
Counterpoint is a comprehensive textbook combining stylistic
composition, theory and analysis, music history, and performance.
By supplementing a modified species approach with a wealth of
complete musical examples and historical information, this textbook
thoroughly joins principle with practice, providing a truly
immersive experience in the study of modal counterpoint and
familiarizing students with modal repertoire.
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