Rethinking the Romance Genre examines why the romance has proven
such an irresistible form for contemporary writers and filmmakers
approaching global issues. Through a series of close readings
informed by historical context and transnational reception, Emily
S. Davis demonstrates that the generic instability of the romance
makes it an especially malleable tool for representing fluid
political, sexual, and racial identities and coalitions in an era
of flexible global capitalism. In contemporary texts ranging from
literary works to films to social media, romance facilitates a
range of intimacies that offer new feminist models for
understanding affinity and solidarity in the age of globalization.
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