The audience is an integral part of performance and is in fact what
separates a rehearsal from a performance. The relationship,
however, between performers and the audience has evolved over time,
which is one of the subjects addressed, along with the changing
disposition of the audience itself and a number of other topics, in
"Gods and Groundlings," volume 20 of the annual journal "Theatre
Symposium." The essays in this volume discuss spectatorship in
historical context, the role of the audience in the digital age,
the early modern English
transvestite theatre, Annie Oakley and the disruption of Victorian
audiences, and historical attempts to create ideal audiences.
Edited by E. Bert Wallace, this latest publication from the largest
regional theatre organization in the United States collects the
most current scholarship on theatre history and theory.
Contributors To Volume 20
Susan Bennett / Jane Barnette / Becky Becker / Lisa Bernd /
Evan
Bridenstine / Michael Jaros / Robert I. Lublin / Paulette
Marty
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!