This new volume in the Studies in International Performance series
looks at feminism's engagement with and relationship to global
change. The contributors attempt to develop a global scholarly
dialogue by using examples from a range of countries (Israel,
Japan, Korea, Germany, Spain, Sweden, Italy) as well as more
familiar perspectives from the US and UK. The book aims to show a
variety of performance practices which are considered to be
'feminist' from a large number of representative countries and
locales.
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