Since its inception in the early 1830s, southern frontier humor
(also known as the humor of the Old Southwest) has had enduring
appeal. The onset of the new millennium precipitated an impressive
rejuvenation of scholarly interest. "Southern Frontier Humor: New
Approaches" represents the next step in this revival, providing a
series of essays with fresh perspectives and contexts.First, the
book shows the importance of Henry Junius Nott, a virtually unknown
and forgotten writer who mined many of the principal subjects,
themes, tropes, and character types associated with southern
frontier humor, followed by an essay addressing how this humor
genre and its ideological impact helped to stimulate a national
cultural revolution. Several essays focus on the genre's legacy to
the post-Civil War era, exploring intersections between southern
frontier humor and southern local color writers--Joel Chandler
Harris, Charles W. Chesnutt, and Sherwood Bonner. Mark Twain's
African American dialect piece "A True Story," though employing
some of the conventions of southern frontier humor, is reexamined
as a transitional text, showing his shift to broader concerns,
particularly in race portraiture.Essays also examine the evolution
of the trickster from the Jack Tales to Hooper's Simon Suggs to
similar mountebanks in novels of John Kennedy Toole, Mark
Childress, and Clyde Edgerton and transnational contexts, the
latter exploring parallels between southern frontier humor and the
Jamaican Anansi tales. Finally, the genre is situated contextually,
using contemporary critical discourses, which are applied to G. W.
Harris's Sut Lovingood and to various frontier hunting stories.
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