Designed for Music Theory courses, Music Theory Through
Improvisation presents a unique approach to basic theory and
musicianship training that examines the study of traditional theory
through the art of improvisation. The book follows the same general
progression of diatonic to non-diatonic harmony in conventional
approaches, but integrates improvisation, composition, keyboard
harmony, analysis, and rhythm. Conventional approaches to basic
musicianship have largely been oriented toward study of common
practice harmony from the Euroclassical tradition, with a heavy
emphasis in four-part chorale writing. The author's entirely new
pathway places the study of harmony within improvisation and
composition in stylistically diverse format, with jazz and popular
music serving as important stylistic sources. Supplemental
materials include a play-along audio in the downloadable resources
for improvisation and a companion website with resources for
students and instructors.
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