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Scream for Me, Africa! - Heavy Metal Identities in Post-Colonial Africa (Hardcover)
Loot Price: R2,034
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Scream for Me, Africa! - Heavy Metal Identities in Post-Colonial Africa (Hardcover)
Series: Advances in Metal Music and Culture
Expected to ship within 12 - 17 working days
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Scream for Me Africa! examines the hard rock and metal scenes in
five African countries: Botswana, Togo, South Africa, Kenya and
Ghana. Banchs spent significant time in each country interviewing
musicians, producers and fans to create vivid pictures of each of
these rarely discussed scenes. These scenes are 'a disruption of
the norm, a disruption of what we have come to expect from Africa
and rock and metal music'. He has chosen to shed light on these
particular scenes now because of their difference and because they
are reflections of their countries. This exciting new book
considers how heavy metal's subculture is viewed in Africa, and how
musicians in the continent have stepped forward to make this genre
their own. It looks at the continent's blossoming scenes through
various themes including hybridity, othering and how scenes have
collided with their difficult political systems. Scream For Me,
Africa! Is the first book of its kind and an engaging look at the
various metal scenes across the African continent, and how they are
constructing an identity as metal fans in their modern nation
states under the shadow of post-colonialism. Written in a clear,
approachable manner it is accessible to academic and non-academic
readers. Edward Banchs is a freelance writer and independent
scholar - and a metal fan - based in Pittsburgh, Pennsylvania, USA
whose writing has appeared in The Guardian, Afropop, Metal Hammer,
Metal Music Studies and The Pittsburgh City Paper. He is also
author of Heavy Metal Africa (2016). This new book fills a gap in
the market for an academic text on metal in Africa, expanding
published scholarship on metal in the global south. It book has
potential use as a resource on courses in several disciplines
including sociology, cultural studies, musicology, ethnomusicology,
sociology and Africa studies. It will also be of interest to the
more general readers with an interest in the musical genre. Will
appeal to anyone who is interested in metal, African culture,
anthropology and sociology and history. Particularly musicologists
and ethnomusicologists and those with an interest in metal in the
global south.
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