In an original and provocative demonstration that Coleridge's later
poetry took on a powerful metaphysical conception, Edward Kessler
emphasizes Coleridge's struggle with language as a means of both
expressing and creating Being. While many of Coleridge's late poems
are generally viewed as fragments that constitute an aesthetic
failure, Professor Kessler contends that what at first may appear
to reflect Coleridge's inability to finish a poem can otherwise be
seen as a deliberate rejection of what the poet came to see as a
confining form. Originally published in 1979. The Princeton Legacy
Library uses the latest print-on-demand technology to again make
available previously out-of-print books from the distinguished
backlist of Princeton University Press. These editions preserve the
original texts of these important books while presenting them in
durable paperback and hardcover editions. The goal of the Princeton
Legacy Library is to vastly increase access to the rich scholarly
heritage found in the thousands of books published by Princeton
University Press since its founding in 1905.
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