An anthology of essays and reviews by the eminent art historian and
writer, Edward Lucie-Smith. The articles cover a broad span, from
the Italian Renaissance of Giotto and Antonello da Messina,
Leonardo and Michelangelo, progressing to Rubens, Velazquez and
Ingres, with essays on William Hogarth, John Constable and John
Everett Millais for British Art. With the experience of his
landmark publications on modern art, which remain in print; the
author sweeps the reader on a fabulous journey of perception,
disclosing the strands that bind the continuum of classic and
contemporary art.
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