Edward T. Cone was one of the most important and influential
music critics of the twentieth century. He was also a master
lecturer skilled at conveying his ideas to broad audiences.
"Hearing and Knowing Music" collects fourteen essays that Cone gave
as talks in his later years and that were left unpublished at his
death. Edited and introduced by Robert Morgan, these essays cover a
broad range of topics, including music's position in culture,
musical aesthetics, the significance of opera as an art, setting
text to music, the nature of twentieth-century harmony and form,
and the practice of musical analysis. Fully matching the quality
and style of Cone's published writings, these essays mark a
critical addition to his work, developing new ideas, such as the
composer as critic; clarifying and modifying older positions,
especially regarding opera and the nature of sung utterance; and
adding new and often unexpected insights on composers and ideas
previously discussed by Cone. In addition, there are essays, such
as one on Debussy, that lead Cone into areas he had not previously
examined. "Hearing and Knowing Music" represents the final
testament of one of our most important writers on music.
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