Legitimating Television: Media Convergence and Cultural Status
explores how and why television is gaining a new level of cultural
respectability in the 21st century. Once looked down upon as a
"plug-in drug" offering little redeeming social or artistic value,
television is now said to be in a creative renaissance, with
critics hailing the rise of Quality series such as Mad Men and 30
Rock. Likewise, DVDs and DVRs, web video, HDTV, and mobile devices
have shifted the longstanding conception of television as a
household appliance toward a new understanding of TV as a
sophisticated, high-tech gadget.
Newman and Levine argue that television s growing prestige
emerges alongside the convergence of media at technological,
industrial, and experiential levels. Television is permitted to
rise in respectability once it is connected to more highly valued
media and audiences. Legitimation works by denigrating "ordinary"
television associated with the past, distancing the television of
the present from the feminized and mass audiences assumed to be
inherent to the "old" TV. It is no coincidence that the most
validated programming and technologies of the convergence era are
associated with a more privileged viewership. The legitimation of
television articulates the medium with the masculine over the
feminine, the elite over the mass, reinforcing cultural hierarchies
that have long perpetuated inequalities of gender and class.
Legitimating Television urges readers to move beyond the
question of taste whether TV is "good" or "bad" and to focus
instead on the cultural, political, and economic issues at stake in
television s transformation in the digital age.
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