This book examines the ways in which the house appears in films and
the modes by which it moves beyond being merely a backdrop for
action. Specifically, it explores the ways that domestic spaces
carry inherent connotations that filmmakers exploit to enhance
meanings and pleasures within film. Rather than simply examining
the representation of the house as national symbol, auteur trait,
or in terms of genre, contributors study various rooms in the
domestic sphere from an assortment of time periods and from a
diversity of national cinemas-from interior spaces in ancient Rome
to the Chinese kitchen, from the animated house to the metaphor of
the armchair in film noir.
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