Often compared with Apollinaire as the first and liveliest
avant-garde poet in his language, Vicente Huidobro was a one-man
movement ("Creationism") in the modernist swirl of Paris and
Barcelona between the two World Wars. His masterpiece was the 1931
book-length epic Altazor, a Machine Age paean to flight that sends
its hero (Altazor, the "antipoet") hurtling through Einsteinian
space at light speed. Perhaps the fastest-reading long poem of the
century, and certainly the wildest, Altazor rushes through the
universe in a lyrical babble of bird-languages, rose-languages,
puns, neologisms, and pages of identical rhymes, finally ending in
the pure sound of the language of the future. Universally
considered untranslatable until the appearance of Eliot
Weinberger's celebrated version in 1988, Altazor appears again in
an extensively revised translation with an expanded introduction.
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