What resonated about "Endtroducing" when it was released in 1996,
and what makes it still resonate today, is the way in which it
loosens itself from the mooring of the known and sails off into an
uncharted territory that seems to exist both in and out of time.
Josh Davis is not only a master sampler and turntablist supreme, he
is also a serious archaeologist with a world-thirsty passion (what
"Cut Chemist" refers to as Josh's "spidey sense") for seeking out,
uncovering and then ripping apart the discarded graces of some
other generation - that "pile of broken dreams" - and weaving them
back together into a tapestry of chronic bleakness and beauty. Over
the course of several long conversations with Josh Davis (DJ
Shadow), we learn about his early years in California, the friends
and mentors who helped him along the way, his relationship with
Mo'Wax and James Lavelle, and the genesis and creation of his
widely acknowledged masterpiece, "Endtroducing."
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