Ottonian Imperial Art and Portraiture represents the first art
historical consideration of the patronage of the Ottonian Emperors
Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison
analyzes liturgical artworks created for both rulers with the
larger goal of addressing the ways in which individual art objects
and the collections to which they belonged were perceived as
elements of a material historical narrative and as portraits. Since
these objects and images had the capacity to stand in for the ruler
in his physical absence, she argues, they also performed political
functions that were bound to their ritualized use in the liturgy
not only during the ruler's lifetime, but even after his death.
Garrison investigates how treasury objects could relay officially
sanctioned information in a manner that texts alone could not,
offering the first full length exploration of this central
phenomenon of the Ottonian era.
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