Stolen Song documents the act of cultural appropriation that
created a founding moment for French literary history: the
rescripting and domestication of troubadour song, a prestige corpus
in the European sphere, as French. This book also documents the
simultaneous creation of an alternative point of origin for French
literary history—a body of faux-archaic Occitanizing songs. Most
scholars would find the claim that troubadour poetry is the origin
of French literature uncomplicated and uncontroversial. However,
Stolen Song shows that the "Frenchness" of this tradition was
invented, constructed, and confected by francophone medieval poets
and compilers keen to devise their own literary history. Stolen
Song makes a major contribution to medieval studies both by
exposing this act of cultural appropriation as the origin of the
French canon and by elaborating a new approach to questions of
political and cultural identity. Eliza Zingesser shows that these
questions, usually addressed on the level of narrative and theme,
can also be fruitfully approached through formal, linguistic, and
manuscript-oriented tools.
General
Imprint: |
Cornell University Press
|
Country of origin: |
United States |
Release date: |
March 2020 |
Authors: |
Eliza Zingesser
(Assistant Professor of French)
|
Dimensions: |
229 x 152 x 25mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
258 |
ISBN-13: |
978-1-5017-4757-1 |
Categories: |
Books
|
LSN: |
1-5017-4757-6 |
Barcode: |
9781501747571 |
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