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Homo Aestheticus - Where Art Comes From and Why (Paperback, 1st University of Washington Press Ed)
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Homo Aestheticus - Where Art Comes From and Why (Paperback, 1st University of Washington Press Ed)
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All human societies throughout history have given a special place
to the arts. Even nomadic peoples who own scarcely any material
possessions embellish what they do own, decorate their bodies, and
celebrate special occasions with music, song, and dance. A
fundamentally human appetite or need is being expressed--and
met--by artistic activity. As Ellen Dissanayake argues in this
stimulating and intellectually far-ranging book, only by
discovering the natural origins of this human need of art will we
truly know what art is, what it means, and what its future might
be. Describing visual display, poetic language, song and dance,
music, and dramatic performance as ways by which humans have
universally, necessarily, and immemorially shaped and enhanced the
things they care about, Dissanayake shows that aesthetic perception
is not something that we learn or acquire for its own sake but is
inherent in the reconciliation of culture and nature that has
marked our evolution as humans. What "artists" do is an
intensification and exaggeration of what "ordinary people" do,
naturally and with enjoyment--as is evident in premodern societies,
where artmaking is universally practiced. Dissanayake insists that
aesthetic experience cannot be properly understood apart from the
psychobiology of sense, feeling, and cognition--the ways we
spontaneously and commonly think and behave. If homo aestheticus
seems unrecognizable in today's modern and postmodern societies, it
is so because "art" has been falsely set apart from life, while the
reductive imperatives of an acquisitive and efficiency-oriented
culture require us to ignore or devalue the aesthetic part of our
nature. Dissanayake's original and provocativeapproach will
stimulate new thinking in the current controversies regarding
multi-cultural curricula and the role of art in education. Her
ideas also have relevance to contemporary art and social theory and
will be of interest to all who care strongly about the arts and
their place in human, and humane, life.
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