Karl Philipp Moritz (d. 1793) was one of the most innovative
writers of the late Enlightenment in Germany. A novelist, travel
writer, editor, and teacher he is probably best known today for his
autobiographical novel Anton Reiser (1785 90) and for his treatises
on aesthetics, foremost among them Uber die bildende Nachahmung des
Schonen (On the Formative Imitation of the Beautiful), published in
1788. In this treatise, Moritz develops the concept of aesthetic
autonomy, which became widely known after Goethe included a lengthy
excerpt of it in his own Italian Journey (1816 17). It was one of
the foundational texts of Weimar classicism, and it became pivotal
for the development of early Romanticism.
In The Topography of Modernity, Elliott Schreiber gives Moritz
the credit he deserves as an important thinker beyond his
contributions to aesthetic theory. Indeed, he sees Moritz as an
incisive early observer and theorist of modernity. Considering a
wide range of Moritz's work including his novels, his writings on
mythology, prosody, and pedagogy, and his political philosophy and
psychology, Schreiber shows how Moritz's thinking developed in
response to the intellectual climate of the Enlightenment and paved
the way for later social theorists to conceive of modern society as
differentiated into multiple, competing value spheres."
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