The notion of a uniquely Quaker style in architecture, dress,
and domestic interiors is a subject with which scholars have long
grappled, since Quakers have traditionally held both an
appreciation for high-quality workmanship and a distrust of
ostentation. Early Quakers, or members of the Society of Friends,
who held "plainness" or "simplicity" as a virtue, were also active
consumers of fine material goods. Through an examination of some of
the material possessions of Quaker families in America during the
eighteenth, nineteenth, and early twentieth centuries, the
contributors to Quaker Aesthetics draw on the methods of art,
social, religious, and public historians as well as folklorists to
explore how Friends during this period reconciled their material
lives with their belief in the value of simplicity.In early
America, Quakers dominated the political and social landscape of
the Delaware Valley, and, because this region held a position of
political and economic strength, the Quakers were tightly connected
to the transatlantic economy. Given this vantage, they had easy
access to the latest trends in fashion and business. Detailing how
Quakers have manufactured, bought, and used such goods as clothing,
furniture, and buildings, the essays in "Quaker Aesthetics" reveal
a much more complicated picture than that of a simple people with
simple tastes. Instead, the authors show how, despite the high
quality of their material lives, the Quakers in the past worked
toward the spiritual simplicity they still cherish.
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