Revisiting Guy Debord’s seminal work, The Society of the
Spectacle (1967), Eric-John Russell breathes new life into a text
which directly preceded and informed the revolutionary fervour of
May 1968. Deepening the analysis between Debord and Marx by
revealing the centrality of Hegel’s speculative logic to both, he
traces Debord’s intellectual debt to Hegel in a way that treads
new ground for critical theory. Drawing extensively from The
Phenomenology of Spirit (1807) and Science of Logic (1812), this
book illustrates the lasting impact of Debord’s critical theory
of 20th-century capitalism and reveals new possibilities for the
critique of capitalism.
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