A range of genres, rooted in local impulses, reaching global
audiences; a main prop of commercial culture and an art form open
to aspirants and fans from every background: About the vast and
diverse topic of pop, scholars and critics, journalists and
musicians have much to say, but rarely to each other. A crossover
venture begun at Seattle's Experience Music Project, this book
captures the academic and the critical, the musical and the
literary in an impromptu dialogue that suggests the breadth and
vitality of pop inquiry today.
"This Is Pop" illustrates what can happen when the best of
scholarship, criticism, and pop's inherent unruliness intersect.
Robert Christgau and Gary Giddins, pivotal critics, encounter Simon
Frith and Robert Walser, pioneers in the study of popular music.
Luc Sante and Geoffrey O'Brien write about sound with the same
prose elegance they apply to noir or New York streetlife. Musicians
Carrie Brownstein and Sarah Dougher, both active in the riot grrl
and rock scenes of the Pacific Northwest, examine how audience
responses affect their craft. John Darnielle, of the Mountain Goats
and the idiosyncratic zine "Last Plane to Jakarta," attends to the
web postings of hair metal fans. From film tracks to Merle Travis,
from Ray Davies to rock infighting, from indie poetry to the Carly
Simon Principle of pop sincerity, this book reflects the welter of
ambition, style, and meaning that draw us to pop in the first
place. The result is a collection as cluttered with treasures as a
good music store.
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