After Independence, in 1947, in their efforts to create an 'Indian'
theatre that was different from the Westernized, colonial theatre,
Indian theatre practitioners began returning to their 'roots' in
classical dance, religious ritual, martial arts, popular
entertainment and aesthetic theory. The Theatre of Roots - as this
movement was known - was the first conscious effort at creating a
body of work for urban audiences combining modern European theatre
with traditional Indian performance while maintaining its
distinction from both.
By addressing the politics of aesthetics and by challenging the
visual practices, performer/spectator relationships, dramaturgical
structures and aesthetic goals of colonial performance, the
movement offered a strategy for reassessing colonial ideology and
culture and for articulating and defining a newly emerging 'India'.
"Theatre of Roots" presents an in-depth analysis of this movement:
its innovations, theories, goals, accomplishments, problems and
legacies.
General
Imprint: |
Seagull Books London Ltd
|
Country of origin: |
United Kingdom |
Series: |
Enactments |
Release date: |
November 2008 |
First published: |
2009 |
Authors: |
Erin B. Mee
|
Dimensions: |
238 x 161 x 37mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
432 |
ISBN-13: |
978-1-905422-75-3 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Theatre, drama >
General
|
LSN: |
1-905422-75-X |
Barcode: |
9781905422753 |
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