This is the first of several in-depth studies of Wagner and his
music by the renowned music critic Ernest Newman (1868 1959),
leading up to the great four-volume biography The Life of Richard
Wagner, published 1933 47. This 1899 work presents a thoroughly
researched critical analysis of the composer's aesthetics,
philosophy, social and political ideas, and their expression
through his musical development and theoretical writings. As Newman
states in his introduction, his exploration of Wagner's personality
through his works aims to answer the question, 'In virtue of what
constitution of brain was he so great a musician?' The book
considers all the major music dramas; looks at Wagner's theory of
music, poetry and music drama; includes a biographical timeline
giving the dates of his compositions, publications and other
musical events of the period; and ends by discussing the essence of
the composer's character and his contribution to music.
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