This book provides a selection of annotated translations from Ernst
Kurth's three best-known publications: Grundlagen des linearen
Kontrapunkts (1917), Romantische Harmonik und ihre Krise in Wagners
'Tristan' (1920), and Bruckner (1925). Kurth's contemporaries
considered these books to be pioneering studies in the music of J.
S. Bach, Wagner and Bruckner. Professor Rothfarb's extensive
introductory essay discusses the intellectual and socio-cultural
environment in which Kurth was writing, referring to aspects of the
early twentieth-century cultural renewal movements and to
intellectual developments of the day in phenomenology, aesthetics
and psychology. By reading Kurth against the cultural-intellectual
background provided in the essay and commentaries, today's music
historians and theorists can round out their picture of music
theory in the early twentieth century.
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