0
Your cart

Your cart is empty

Books > Language & Literature > Literature: history & criticism > Poetry & poets

Buy Now

Emptiness and Temporality - Buddhism and Medieval Japanese Poetics (Hardcover) Loot Price: R1,630
Discovery Miles 16 300
Emptiness and Temporality - Buddhism and Medieval Japanese Poetics (Hardcover): Esperanza Ramirez-Christensen

Emptiness and Temporality - Buddhism and Medieval Japanese Poetics (Hardcover)

Esperanza Ramirez-Christensen

 (sign in to rate)
Loot Price R1,630 Discovery Miles 16 300 | Repayment Terms: R153 pm x 12*

Bookmark and Share

Expected to ship within 12 - 17 working days

"Emptiness and Temporality" is an account of classical Japanese poetics based, for the first time, on the two concepts of emptiness (J."ku") and temporality ("mujo") that ground the medieval practice and understanding of poetry. It clarifies the unique structure of the collective poetic genre called "renga" (linked poetry) by analyzing Shinkei's writings, particularly "Sasamegoto." This book engages contemporary Western theory, especially Derrida's concepts of "differance" and deconstruction, to illuminate the progressive displacement that constitutes the dynamic poetry of the renga link as the sequence moves from verse 1 to 100. It also draws on phenomenology, Heidegger's "Being and Time," Bakhtin's notion of the dialogical, Gadamer's "Truth and Method," hermeneutics, and the concept of translation to delve into philosophical issues of language, mind, and the creative process. Furthermore, the book traces the development of the Japanese sense of the sublime and ineffable ("yugen" and its variants) from the identification, by earlier waka poets like Shunzei and Teika, of their artistic practice with Buddhist meditation (Zen or "shikan"), and of superior poetry as the ecstatic figuration of the Dharma realm. "Emptiness and Temporality" constitutes a radically new definition of Japanese poetry from the medieval period onward as a symbolist poetry, a figuration of the sacred rather than a representation of nature, and reveals how the spiritual or moral dimension is essential to an understanding of traditional Japanese aesthetic ideals and practices, such as No performance, calligraphy, and black-ink painting.

General

Imprint: Stanford University Press
Country of origin: United States
Release date: March 2008
First published: 2008
Authors: Esperanza Ramirez-Christensen
Dimensions: 229 x 152 x 21mm (L x W x T)
Format: Hardcover - Cloth / Cloth
Pages: 224
ISBN-13: 978-0-8047-4888-9
Categories: Books > Language & Literature > Literature: history & criticism > Poetry & poets > General
Books > Reference & Interdisciplinary > Interdisciplinary studies > Area / regional studies > General
Books > Humanities > Religion & beliefs > Non-Christian religions > Religions of Indic & Oriental origin > Buddhism > General
Books > Religion & Spirituality > Non-Christian religions > Religions of Indic & Oriental origin > Buddhism > General
Promotions
LSN: 0-8047-4888-8
Barcode: 9780804748889

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners