In this original study, Milne moves between close readings of
letters, postcards and emails, and investigations of the material,
technological infrastructures of these forms, to answer the
question: How does presence function as an aesthetic and rhetorical
strategy within networked communication practices? As her work
reveals, the relation between old and new communication systems is
more complex than allowed in much contemporary media theory.
Although the correspondents of letters, postcards and emails are
not, usually, present to one another as they write and read their
exchanges, this does not necessarily inhibit affective
communication. Indeed, this study demonstrates how physical absence
may, in some instances, provide correspondents with intense
intimacy and a spiritual, almost telepathic, sense of the other's
presence. While corresponding by letter, postcard or email, readers
construe an imaginary, incorporeal body for their correspondents
that, in turn, reworks their interlocutor's self-presentation. In
this regard the fantasy of presence reveals a key paradox of
cultural communication, namely that material signifiers can be used
to produce the experience of incorporeal presence.
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