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Books > Arts & Architecture > Performing arts > Theatre, drama
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Make Believe - The Broadway Musical in the 1920's (Hardcover, New)
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Make Believe - The Broadway Musical in the 1920's (Hardcover, New)
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The 1920s represented a turning point in the history of the
Broadway musical, breaking with the vaudeville traditions of the
early twentieth century to anticipate the more complex,
sophisticated musicals of today. Composers Jerome Kern, George
Gershwin, Cole Porter, Richard Rodgers, and their contemporaries
revitalized the musical with the sound of jazz and other new
influences. Productions became more elaborate, with dazzling sets,
tumultuous choreography, and staging tricks, all woven into tightly
constructed story lines. These dramatic changes of the 1920s
ushered in the "golden age" of the American musical theater.
Ethan Mordden captures the excitement and the atmosphere of
Broadway during the 1920s in Make Believe. In captivating, lively
prose, Mordden describes in superb detail the stars, the songs, the
jokes--the sheer fun of this era. Here are shows great,
interesting, or even bizarre-- Sally, TheStudent Prince,
Rose-Marie, Lady, Be Good , No, No, Nannette, Rainbow, Good News ,
Ziegfeld Follies, The "Coconuts," The 5 Oclock Girl, Blossom Time,
Whoopee. Early on, the charisma of entertainers such as the
bragging Al Jolson ("You ain't heard nothin' yet "), the bewitching
Marilyn Miller, the madly prancing Eddie Cantor, the unpredictable
Gertrude Lawrence, and the indescribable Marx Brothers were the
essential element in a hit musical. But, as Mordden demonstrates,
the stars lost power and the authors took control, as shows like
Desert Song, Peggy-Ann, Strike Up the Band, and SweetAdeline
reinvented the old forms. The musical became more "adult," too,
baiting the censor in the lyrics of Lorenz Hart, Cole Porter, and
B. G. DeSylva. And Broadway became more racially integrated, with
"blackface" acts dying out while all-black musicals such as Shuffle
Along and the Blackbirds shows enjoyed mainstream success.
Make Believe reaches its climax with Morddens' deep look at Jerome
Kern and Oscar Hammerstein's 1927 masterpiece, Show Boat. With its
intricate story line spanning four decades, its gala interracial
cast, its stunning physical production, its powerful score
including "Ol' Man River," "Bill," "Mis'ry's Comin' Aroun'," "Can't
Help Lovin' Dat Man," "Life on the Wicked Stage," and "Why Do I
Love You?," Show Boat was the first American musical universally
hailed as a classic. Fusing the decade's developments into one epic
show, Kern and Hammerstein created something at once timeless and
contemporary, the ultimate twenties show but, as producer Florenz
Ziegfeld called it on the posters, "the all American musical
comedy."
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