In Theses on Feuerbach, Marx writes, “The philosophers have
only interpreted the world differently; the point is to
change it.” This collection examines how filmmakers have tried to
change the world by engaging in emancipatory politics through their
work, and how audiences have received them. It presents a wide
spectrum of case studies, covering both film and digital
technology, with examples from throughout cinematic history and
around the world, including Soviet Russia, Palestine, South
America, and France. Discussions range from the classic Marxist
cinema of Aleksandr Medvedkin, Chris Marker, and Jean-Luc Godard,
to recent media such as 5 Broken Cameras (2010), the
phenomena of video-blogging, and bicycle activism films.
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