Since 2000, there has been a considerable effort in Turkish
cinema to come to terms with the military s intervention in
politics and subsequent national trauma. It has resulted in an
outpouring of cinematic texts. This book focuses on women and
Turkish cinema in the context of gender politics, cultural identity
and representation.
The central proposition of this book is that enforced
depolticisation introduced after the coup is responsible for
uniting feminism and film in 1980s Turkey. The feminist movement
was able to flourish precisely because it was not perceived as
political or politically significant. In a parallel move in the
films of the 1980s there was an increased tendency to focus on the
individual, on women s issues and lives, in order to avoid the
overtly political.
"
Women and Turkish Cinema" provides a comprehensive view of
cinema s approach to women in a country which straddles European
and Middle Eastern cultural conceptions, identities and religious
values and will be an invaluable resource for students and scholars
of Film Studies, Gender Studies and Middle East Studies, amongst
others.
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