The philosopher Christopher Small suggests that musical meanings
are concerned with relationships, both with other human beings and
with the world, and that music functions as a means of exploration,
affirmation, and celebration of those relationships. If members of
different social groups have different values, or different
concepts of ideal relationships, then the kinds of performances
that enact those relationships will differ from one another.
Using music to express benevolent intentions is not, in general,
one of its most obvious functions. In fact, military music has been
used throughout history to destroy cross-cultural communion. Music
is also a powerful and ubiquitous tool in propaganda, and in
facilitating various political projects in all kinds of inventive
ways that have nothing much to do with the pursuit of peaceful and
cooperative intercultural understanding, or with helping people
address issues of injustice.
This text moves far beyond the knowledge of music's power upon
humans, however this may be conceived and explained. It addresses a
field of inquiry that is still a tiny endeavor, at least in
comparison with all other academic efforts in the world. The
sparseness of serious theoretical engagement with the topic of
music's potential role in the area of peace and policy is echoed by
how little music is directly used in the "real world" for building
a more humane consciousness. Finding ways to that goal is the
purpose of this work.
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